Ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh.
I have been an enthusiastic regular of DeviantArt.com since high school. I found by replacing
the mainstreamed newsfeeds of Facebook, Twitter and YouTube with deeper
perspectives on how people reflect on their own worlds, a therapeutic retreat for an old man like myself.
Just by perusing the main page as a general viewer one can discern the array of personal placement within the multitude of genres of art found. Identity is easily defined within DeviantArt directly by the art itself as well as indirectly via the blog posts and commenting scheme.
On the many of the globalised multinationals like Facebook
and YouTube, there is a distinct rift in positive interaction between
identities; bullying, discrimination and general ill respect for anyone other
than the close circle of friends vandalises the harmony of the virtual public
realities. On that note however, in all my years of scrolling through the
Deviant’s Deviations, every comment I have come across is always encouraging to
the Deviant artists and followers. This I find is highly commendable.

On a broader note, the sense of identity within space reflects Paul Tillich’s trips to Berlin, the big city, as it is referred. There is a feeling of openness and the infinite impressions within the Deviations, metaphorically like Tillich’s perception of his childhood trips to the Baltic Sea (Tuan, 1979, p. 3-4).
There is constant change with the arrays of colours and
impressions set. Much like the Mandelbrot fractals (Kullberg, 2010), there are
patterns everywhere you look, some similar and some not so much; all leaving
the intent to perceive a new perspective by a humble position.
There is no restriction on the plethora of genres the
Deviant’s may express themselves with (Van Luyn, 2015); and meeting financial
approval by random strangers inspires to strengthen the sense of place,
identity and belonging within the virtual space on DeviantArt. I have enjoyed the
public platform for artists on many occasions and it always harmonises my sense
of place when I feel lost.
I am off!
Yours,
Spiritual Joke
Tuan, Y (1979). Space and Place The Perspective of
Experience (2nd ed.). London, Great Britain: Edward Arnold
Van Luyn, A. (2015). BA1002: Space: Networks, Narratives, and the
Making of Place, week 3 notes [PowerPoint Slides]. Retrieved from
https://learnjcu.jcu.edu.au/bbcswebdav/pid-1892276-dt-content-rid-2691285_1/courses/15-
BA1002-TSV-INTSP2/BA1002%20week%203%20lecture%202015_for%20LearnJCU%20notes.pdf
Images
Kullberg, Ingvar (Artist). (2010) To the Honor of Mandelbrot [Fractal image]. Sweden.
Retrieved from http://fractalmonster.deviantart.com/art/To-the-Honor-of-Mandelbrot-183195309?comments_view=1
Deanna (Artist). (2008) Real Life Pokemon - Squirtle [Photoshop]. Canada. Retrieved from http://www.deviantart.com/art/Real-Life-Pokemon-Squirtle-107699794

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